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Baron Jean-Baptiste Regnault Socrate arrachant Alcibiade du sein de la Volupte oil painting


Socrate arrachant Alcibiade du sein de la Volupte
Painting ID::  82552
Baron Jean-Baptiste Regnault
Socrate arrachant Alcibiade du sein de la Volupte
Oil on canvas, 1791. Date Dimensions H. 46 cm (18 in.), W. 68 cm (26 ¾ in.) cjr

   
   
     

Baron Jean-Baptiste Regnault Regnault Socrates Tears Alcibiades from the Embrace of Sensual Pleasure oil painting


Regnault Socrates Tears Alcibiades from the Embrace of Sensual Pleasure
Painting ID::  85349
Baron Jean-Baptiste Regnault
Regnault Socrates Tears Alcibiades from the Embrace of Sensual Pleasure
Oil on canvas, 1791 cyf

   
   
     

Baron Jean-Baptiste Regnault Socrates Tears Alcibiades from the Embrace of Sensual Pleasure oil painting


Socrates Tears Alcibiades from the Embrace of Sensual Pleasure
Painting ID::  85350
Baron Jean-Baptiste Regnault
Socrates Tears Alcibiades from the Embrace of Sensual Pleasure
Oil on canvas, 1791. Date Dimensions H. 46 cm (18 in.), W. 68 cm (26 ¾ in.) cyf

   
   
     

Baron Jean-Baptiste Regnault The judgement of paris oil painting


The judgement of paris
Painting ID::  89554
Baron Jean-Baptiste Regnault
The judgement of paris
1820(1820) Medium oil on canvas cjr

   
   
     

Baron Jean-Baptiste Regnault The Education of Achilles oil painting


The Education of Achilles
Painting ID::  90075
Baron Jean-Baptiste Regnault
The Education of Achilles
1782(1782) Medium oil on canvas cjr

   
   
     

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     Baron Jean-Baptiste Regnault
     Paris 1754-1829 French painter. His first teacher was the history painter Jean Bardin, who took him to Rome in 1768. Back in Paris in 1772, he transferred to the studio of Nicolas-Bernard Lepicie. In 1776 he won the Prix de Rome with Alexander and Diogenes (Paris, Ecole N. Sup. B.-A.) and returned to Rome, where he was to spend the next four years at the Academie de France in the company of Jacques-Louis David and Jean-Francois-Pierre Peyron. While witnessing at first hand Peyron's development of a manner indebted to Poussin and David's conversion to Caravaggesque realism, Regnault inclined first towards a Late Baroque mode in a Baptism of Christ (untraced; recorded in two sketches and an etching), then, in Perseus Washing his Hands (1779; Louisville, KY, Speed A. Mus.), to the static Neo-classicism of Anton Raphael Mengs.

     Related Artists::.
     | Willem Cornelisz. Duyster | MOREELSE, Paulus | Hendrick the Brugghen |


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